Friday 31 December 2010

Models for Every Niche

By Kaitlin Hall


Modeling, just like any other business, also has different types to fit different needs. There are different models to choose from in order to fill any need. There are those who advertise a certain product line to those who make a car look better in an auto show. These models are there in order to showcase and represent the product.

There is no need to be wafer thin in order to become a model. Models come in a variety of shapes and sizes in the modeling industry. However, not all can become models. The modeling industry requires that you possess a certain degree of confidence and style in order to be accepted. Talent agencies can help establish those relationships with casting directors, but only if they're honest agencies, not those just looking for your money.

The position that is the most coveted is being a model for high fashion. It is considered by models as one of the most glamorous positions. This normally involves photo shoots for magazines and collections displaying the very latest in fashion. This position involves a lot of exposure and is the most prized position of them all. The models are usually tall and thin in size. The models of high fashion possess strong features which are distinctive that sets them a cut above the rest.

Commercial and print models are those that promote a certain product. They are usually displayed on billboards, magazines, newspapers and on buses. These models are hired to appear on catalogues in order to sell everyday products to people. This type of modeling provides regular work and generous pay.

Being a runway model is also one of the best ways to gain exposure. It is a type of live modeling that is considered as glamorous. However, there is a minimum height requirement in order to be a runway model which is a height of 59. The models must be comfortable in the dress and must make any outfit look great no matter how dull it is.

Models with great hair, nice hands, shapely legs and well shaped feet that go along with a beautiful face are called specialty models. These models are employed in order to sell shampoo, hand lotion, jewelry, cosmetics and nail polish. They must be able to showcase these products using their well formed assets. They are usually seen on commercials on TV.

Models that are seen modeling cars, cosmetics, appliances or new products are called trade show or convention models. They always appear on trade shows and conventions. They possess a certain way of modeling products with their winning smile and pleasing personality. Landing great commercial contracts in selling products are usually the perks of this job.

Supermodels are those that are highly sought after by the fashion industry. In using supermodels, the clothes of designers become popular to those who follow fashion. Among all other models, these models are the highest paid. They usually live in New York and do multiple shows per day during fashion week. Some of the most famous supermodels are Janice Dickinson, Tyra Banks, Claudia Schiffer, Naomi Campbell, Elle MacPherson and Cindy Crawford. These models have paved the way for other models to pursue their path in becoming the top models in the fashion industry.




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Thursday 30 December 2010

Lighting Concepts

By Markus Antonio


A cameraman, or more specifically, a cinematographer, has the job of painting with lights, so one must know how to mimic certain situations and be able to manipulate the light to their liking, as well as the director's. There are four things you need to consider when setting up lights: movement, placement and intensity. This is how they break down:

Movement: When light moves, it can mean a number of things. A character could be approaching a scene, a light could be "going out" which could create a creepy basement interrogation scene, or it could be something along the lines of a dance party or perhaps a rave of some kind. Maybe flashes are needed to mimic paparazzi taking pictures, in which case a lot of movement is needed as that could consist of a bunch of consecutive flashes from all over the frame.

Placement: Depending on where you place the light on a character, it creates different shadows on their faces and can create different moods and can change the way you look at someone. For instance, when you light someone from the bottom, it creates an evil look. Remember when you'd go camping and you'd scare your little sister by placing a flashlight under your chin, turning it on and making a scary face? Just like that. The more lights you use, the less shadow you will create, so using just one light will create more shadow and make a character look darker and more mysterious.

Lighting your actors appropriately is also very important because where the light is placed will cast different shadows on their faces. The lower the light, the more ominous someone will look and also keeping them in half light and half shadow-not revealing their whole face. If you think of a light as a little sun and then shine it on your actors according to the time of day you're trying to mimic, thinking about the angle of the sun during that time of day will also help you manipulate the light to your liking. Protagonists tend to get lit brighter and their eyes are shown more to the audience to keep a connection. The antagonists tend to be darker lit and their eyes are not seen as much so the audience doesn't feel as connected to them and they seem less trustworthy.

Intensity: As a Yiddish proverb once stated, "The eyes are the mirror of the soul." Eyes also tell a lot about a character-if they're lying, feel uncomfortable, sad or happy-you name it. You can also read subtext through eyes, meaning one can look into another's eyes and tell what they're really feeling as opposed to what they said they felt. This is one reason why mysterious characters or villains tend to be lit less because of their dark demeanor. Most of the time, villain's eyes are not seen as well because they're lying or the production does not want the subtext of the character to be read as well. Not seeing someone's eyes also makes them less trustworthy.

You'll notice in dramas that the character's eyes are very well lit and will almost always have that "twinkle" in them. This is because in dramas, subtext is more important than other genres because drama is all about saying one thing and meaning another, so the eyes must be seen. Brighter light brings out a happier mood, hence why comedies tend to be brighter most of the time. If one were to sit in a dark house all day, they'd probably feel a little worse than if they sat in a well-lit house all day. The same goes for light intensity and how it provokes emotion from the audience.

Color: Playing with colored light is fun and challenging. A cameraman must know about the color wheel because if you white balance on a color, the camera will tint the frame with the opposite color. Sometimes cinematographers will want their film to be tinted a certain color for a theme they're trying to convey, in which case knowing what color to white balance on is key. Different skin tones get lost with certain colors so it's also good to know what pops out and what doesn't pop. The color of the light also helps the audience distinguish between the times of day. Sunlight is always bluer and incandescent lights are always more orange in color. Color also makes people feel a certain way, so having a color scheme for characters in both wardrobe and lighting is very common.

Once you fully understand these concepts, putting them all together and creating a specific mood, time and place becomes easier and more fun as time goes on and you learn more. Each project presents more obstacles to overcome and packs more creativity into your head of never-ending learning. With each set comes new people and new ideas to share and learn. The cameraman is always learning and growing with each project.




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Digital Camera Accessories -The Nice Idea For Presents

By Dmitry Vasenyov


Of course, it is nice to present those items which people obviously like and truly enjoy and also utilize in the common lives. However, which at the same time are not so much expensive. In fact, digital camera accessories are perfectly suited in that type of gifts - they are not quite expensive and also could surely be quite useful and be a part of photographic memory that is long lasting.

So nearly every individual these days has this camera due to the fact that it is very cost effectual and the present generation of those cameras make good photos. Moreover, camera accessories would certainly be perfect gift for that person who has a camera. In fact, it could be almost all the things ranging from camera cases, digital camera lenses, memory cards, tripod, digital camera belt, sling bag and so on.

Have you ever considered purchasing accessories for your camera? Without any doubt, they are quite useful and not so much expensive for purchasing. If you know that person who has this sort of gadget, giving such accessory can surely make a great present which will be appreciated by your friend. And thus below there is a few important camera accessories that are correct for presents.

There is another good option - memory cards. In these there are various classes of memory cards, because of that you should be sure that you purchase the good one. Overall cost is somewhere between eight to twenty dollars. So the more is size of the memory - the more is actual price. Besides, cases for digital camera are amazing and also quite inexpensive and you can find some nice one around twenty to fifty dollars. In fact, the world web would actually be an ideal place for looking for it.

Besides, sling bag will definitely be favoured by every digital camera owner according to the fact that it is quite helpful if it is necessary for you to take your camera around. It is just necessary for you to make sure that you get the right colour, especially when a camera owner is a girl, then you should use pink and some similar colours. But for the guys usually dark colours always suit the best way.

And the most important, digital photo frame - that one is my most liked. For sure, a nice photo frame can obviously decorate your room. And so chosen shots can be rotated on this frame and remind you all those priceless memories. But still, it is more expensive kind of gift due to the fact that proper photo frame typically cost around sixty to hundred dollars. In fact, some diving accessories, for example such as waterproof flash or housing for a would [spin]actually be a wonderful gift for all diving fans.




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Sunday 26 December 2010

nice digital camera

By John Willy


Many people today commence the getting course of action by investigating each of the functions and capabilities of 10 - 20 cameras in "their cost selection," on the other hand, that may be established. Many people locate that practice as well irritating and invest in the initial digital camera that "looks" appropriate.

Digital Cameras have grown to be a typical web site wherever you go. If you are on the point of pay for you initially digital digicam, or even you're wanting to interchange a person you previously have, it really is ideal to familiarize oneself together with the know-how of what tends to make one particular digital digicam diverse from one other and decide on the 1 that is certainly appropriate to suit your needs. On this report, we'll cover one particular with the most important aspects in image excellent.

To place it just, resolution will be the quantity of detail that your digital camera data of a picture. A digital picture is produced up of pixels. For digital cameras, the amount of pixels is measured similar to your laptop check. As digital digicam resolutions have gotten higher, w will e now multiply the horizontal and vertical values for a single complete worth, which can be normally rounded out to your megapixel count.

1 in the major benefits of your digital point-and-shoot digital camera, through a digital single lens reflex, is dimension. You may get digital point-and-shoot cameras in highly compact sizes now. This helps make the digital point-and-shoot digicam quite effortless. It really is perfect for taking on holiday while you do not desire to carry issues approximately or another time you do not desire to get something large with you. Believe in me, I'd a lot quite have had a point-and-shoot digital digicam with me, then the DSLR I carried about, very last time I went to Disney.

Decide on a digital camera that is definitely suitable to suit your needs Knowledge how the sensor operates enables us for making knowledgeable choices with regards to resolution and digital camera pace. White steadiness is a reasonably uniform function throughout your entire line of cameras (using the exception of your superior conclusion designs), negating any severe consideration on this area.




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Saturday 25 December 2010

The Best Point and Shoot Digital Camera List

By Alfonso Camera


The best point and shoot digital camera is the camera that best fits your taste. That said, some models and might justifiably be touted as the best point and shoot camera considering the set of features, image quality, and price.

There are a lot of features and quality indicators to look for, but I'll just talk about a few of the most important ones. Consider how you might use these when deciding what is not just the best point and shoot digital camera, but also the best camera for you. What kinds of photos do you aspire to capture? Large, wide panoramic photos? dawn shots? Portraits, club-scenes? If it is mostly at night you usually take photos, and you like to use flash, things such as large zoom might not be as critical to you as to one who wants to capture an animal up a tree or the colors of a certain part of the sky at sunset.

All right, that isenough introduction. The best point and shoot camera list is headed by the Sony Cyber-shot HX5, with the Panasonic Lumix ZS7 being almost as amazing when all features, dimensions, and costs are all remembered.

What is really cool about the Sony Cyber-shot HX5 is that you won't have to make any compromises with regards to features. It pretty muchis all-in-wonder. Besides the features mentioned previously, it also has a 25mm wide angle lens , has GPS (so you know where you snappedeach pic), and a new awesome panoramic sweep mode (where you hold down the button and spin your body almost all the way around to capture up to 270 degrees).

The Lumix point and shoot camera is superior in that it has 12x zoom and also has an Leica lens, but it doesn't have the novel panoramic sweep mode and is a little bigger and heavier. However, the Lumix is about $80 cheaper than the Sony Cyber-shot HX5.

These 2 cameras are the best point and shoot cameras. Pick between them depending on how much cashyou want to drop, confident that, in either way, you will have the best point and shoot digital camera.




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Wednesday 22 December 2010

Things You Have to know Before You Buy Camera

By Mike Sulioraa


Digital cameras can be found in many sizes, colors, brands, zooms, resolutions, playbacks, etc. There are many features and qualities which can be being put in the devices that buyers especially rookies become overwhelmed and dizzy using these outstanding arrays of gadgets. That is even without like the various advertisements and different ratings which can be used to promote the products.

So what are the things to look for if you want to buy digital camera? To be able to answer these, there are 2 sets of information you have to know before you can decide. The first type of information is defining what YOU need and want in a digital camera. To do this, you can ask yourself the following questions:

- Give me an idea to take together with your digital camera? Before you purchase digital camera, you should determine what type of pictures you want to capture with it. An advanced digital photography enthusiast, any camera will not just do. You need to look for features that may support the zooming you'll need, the resolution, etc.

- Simply how much is your budget? It is a very important question anybody who offers to buy digicam should ask. Because it doesn't matter what your needs and wants are for your device, your financial resource can play a huge part in dictating the sort of digital camera you will obtain.

- What exactly are you resources? Whenever you buy camera, sometimes the spending doesn't end there. You might also need to consider the capability and the power from the computer and also the printer you'll be hooking you guessed it-your camera with for the editing and printing needs. Editing software happen to be included whenever you buy camera but other devices aren't. Apart from a printer, ink and paper for printing, you need to additional memory cards for the camera along with a more powerful computer to aid image editing and image storage and retrieval.

After answering these 3 questions, the next set of information you need to know before buying digital camera will be the features that you might want in the device. They're:

- Resolution. Before buying digital camera, check first its capacity to make high quality photo images. The quantity of pixels indicated determines resolution. The harder number of pixels, the bigger the resolution that may make photos being enlarged without losing image quality.

- Built-in memory. Cameras need memory cards for picture storage. Once you buy digicam, make sure that the gadget which you buy will not only have a "built-in" memory but must also have a card slot for external and further memory. This permits you to change full memory cards conveniently while shooting your pictures.

- Appear and feel. It is essential so that you can feel comfortable holding your digicam while shooting. So, before buying digital camera, it good to check and find out if you are comfortable holding it and utilizing it. Consider the location where the buttons are situated and how they may be spaced out to see also if you believe comfortable while using the viewfinder.

- Battery life. Digital cameras use up batteries fast and batteries are expensive. Before you buy digital camera, consider if the camera's batteries are rechargeable. This way you can recharge them. Take also into consideration an AC adapter when you buy digital camera. You can attach this to the camera when you are viewing your pictures or uploading them

- LCD. The LCD is really a special consideration you need to look into whenever you buy a camera. This is a small screen located at the rear of a digital camera which allows you to preview the images you took. It's to be considered whenever you buy camera because it burns a lot of electric batteries.

- Special features. Special features that may suit your needs is highly recommended, too before buying digital camera. If you'd like your camera to own good zooming, it is possible to opt for people that have optical zoom lenses. A diopter adjustment around the digital camera's viewfinder is likewise beneficial to those that regularly wear glasses and even buy digicam. Other features for instance remote control, tripods, etc. can be considered once you buy a digicam.

With these information, you can now figure out what you really need and want before you buy digital camera. If you want to see ratings and rankings of these devices based on price, resolution or other features, check out various websites that have these in the Internet.




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Monday 13 December 2010

Tips For Model Photography Being A Self-Marketing Tool

By Dora Kent


There are many instances where model photography can make a very challenging profession. However, most of the time, it is the right combination of fun and hard work. People who pursue model photography will know how important it is for a model to look good in all the pictures he or she takes. In addition, it takes real hard work to be able to keep a person looking great in photographs all the time.

The Model and Model Photography Are Highly Interdependent

We know the models' job has been tightly attached to the ads. Often a model will look for a job with the leading advertisement agencies he or she knows, desperate for an interview. Here, the most efficient tool of the models is their portfolio. This is where they compile their credentials as well as file their photographs as a proof of their capacity to fit in to any particular ad. The agency goes through the portfolio, and if they find the photographs impressive enough, they will call the model(s) for an interview.

In this connection model photography becomes an excellent tool. Some models, instead of offering their portfolio (which is very expensive and time taking to makes), prefer to leave their composite cards. You can consider the composite card for the model, just as you would consider the business card for a businessperson, i.e. the first contact information sheet.

The first thing you should know and realize is that there are millions out there who look as good as you or even better. Why should the advertiser choose your resume above that of others? If you ask yourself this question, you will realize how important the role of a contact sheet is. Hence, if you want to attract the right kind of attention, make sure that the first impression is right. Make sure you create the right impact at the very first time. You will not get a second chance to create your first impression.

The composite card will have your headshot on the front and at four or five long shots in different positions and postures on the back. The other information besides your name, which you will need to have printed on each and every composite card you are offering as a resume for your model photography assignment are:

1. Your previous experience (never leave this column free; if nothing else write that you have volunteered at some place or invent something plausible) 2. Type of work you would prefer to do 3. Your vital statistics (height, weight, chest size, waist size, hip size and so on),

Then, follow it up diligently, just as you would do with your resume when you apply for a job.




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Lighting

By Mark A Cella


The biggest job a cinematographer has on set is directing how the lights look in the frame. He knows everything about the lights and what they represent. The cinematographer is the master of lighting. Working closely with the director and gaffer of the production, the cinematographer creates a happy balance of lighting in the frame to produce a realistic picture. There are four key concepts a cinematographer utilizes when setting up lights: movement, placement, intensity and color. This is how I describe each:

Movement: "Why is the light moving?" "How much is it moving?" These are two questions a cameraman or cinematographer must ask himself. If there is no movement, fine-the scene is still. Movement causes curiosity, chaos and directs the eye to a certain place in the frame. If not trying to recreate a scene that requires lights to flicker, turn on and off at a certain rate or move back and forth as if searching for something, movement of light is not required-it just helps to make a more believable situation if necessary. Some examples of scenes that use light movement would be in a scene where the lights are going out or flickering or something like an interrogation scene. Movement could also be used to portray a lightning or a massive earthquake where everything is falling down and the power is going out. Also, any sort of club or party scene would use not only moving lights but colored lights as well.

Placement: Depending on where you place the light on a character, it creates different shadows on their faces and can create different moods and can change the way you look at someone. For instance, when you light someone from the bottom, it creates an evil look. Remember when you'd go camping and you'd scare your little sister by placing a flashlight under your chin, turning it on and making a scary face? Just like that. The more lights you use, the less shadow you will create, so using just one light will create more shadow and make a character look darker and more mysterious.

Light placement on characters also creates different moods because depending on where you shine the light on someone; different shadows will project onto their faces. The darker the light, the more equivocal someone will look. Lighting from below will make someone look more suspicious and placing light more on the face so you can see a character's eyes better will make them look friendlier and more trustworthy. Protagonists are usually better lit and more visible while antagonists are darker lit to keep them in the shadows more and to portray a darker character whom is up to no good.

Intensity: The intensity of a light can easily create different moods. Try sitting in a dark room for ten minutes. Then try sitting in a well-lit room for ten minutes. Most likely, sitting in a well-lit room will make you feel better and happier. Perhaps your mind was wondering more in the light and you felt more scared in the dark because you didn't know what was around you. The same goes for lighting a movie.

Intensity can also be used to represent times of the day. Obviously it's not going to be bright outside at 10PM, so you'll need to use dimmer lights and add some color to them. A scene with a romantic dinner would use dimmer lights as opposed to a reenactment of a football game at night. Each scene calls for a realistic intensity of light and your job as a cameraman or cinematographer is to find that realistic balance. A good idea is to take note of the light around you in every day situations-see how intense the light is, where it's coming from and what color it emits. This will help you create more realistic lighting situations in the movies you make.

Color: Playing with colored light is fun and challenging. A cameraman must know about the color wheel because if you white balance on a color, the camera will tint the frame with the opposite color. Sometimes cinematographers will want their film to be tinted a certain color for a theme they're trying to convey, in which case knowing what color to white balance on is key. Different skin tones get lost with certain colors so it's also good to know what pops out and what doesn't pop. The color of the light also helps the audience distinguish between the times of day. Sunlight is always bluer and incandescent lights are always more orange in color. Color also makes people feel a certain way, so having a color scheme for characters in both wardrobe and lighting is very common.

Once you fully understand these concepts, putting them all together and creating a specific mood, time and place becomes easier and more fun as time goes on and you learn more. Each project presents more obstacles to overcome and packs more creativity into your head of never-ending learning. With each set comes new people and new ideas to share and learn. The cameraman is always learning and growing with each project.




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